I'm out of Ilford MG IV paper and switched to Arista EDU Ultra. All I have now is 11x14 inches. Last weekend I printed a few frames from 2012 and they came out fine. The prints are somewhat more neutral compared to Ilford (I use LPD developer in 1:4 dilution) and the image takes longer to appear in developer, but otherwise the paper is great. The office scanner I used does not do the prints justice, but that is what I have for this bigger format.
Showing posts with label darkroom. Show all posts
Showing posts with label darkroom. Show all posts
Tuesday, July 21, 2015
11x14" Prints on Arista EDU Ultra RC paper
I'm out of Ilford MG IV paper and switched to Arista EDU Ultra. All I have now is 11x14 inches. Last weekend I printed a few frames from 2012 and they came out fine. The prints are somewhat more neutral compared to Ilford (I use LPD developer in 1:4 dilution) and the image takes longer to appear in developer, but otherwise the paper is great. The office scanner I used does not do the prints justice, but that is what I have for this bigger format.
Labels:
11x14,
2009,
2012,
2015,
Arista EDU Ultra VC RC,
darkroom,
Downtown,
July,
printing,
South Beach
Thursday, July 16, 2015
Bessa L / 25mm / Red filter : new darkroom prints
Up until now I had just the digital scans and digital prints for this series of downtown street photographs from Oct 2008. Last week I printed them in darkroom, they came out good; better than expected, better than digital!
Labels:
2008,
2015,
8x10",
Arista RC VC,
darkroom,
Downtown,
Ilford MG RC IV,
October,
printing,
Street photography
Monday, July 13, 2015
Summer pattern
Labels:
2008,
2015,
8x10",
Arista RC VC,
darkroom,
December,
Downtown,
Ilford MG RC IV,
June,
printing,
Street photography
Wednesday, April 15, 2015
Printing in dark room vs film-to-digital workflow
I started in darkroom in my early teens, somewhere in 68 or 69. Back then, everything was simple: not too many graded papers available, one developer, water from the tap, fixer and free time, which I had aplenty. I did not use any advanced techniques. Masking with my fingers for dodging and burning was the farthest it went. Because of this, there were negatives I could print easily and some I did not know how to print, the negatives too dark or too contrasty...when I had one, I just skipped it. Here is one of the prints from the time: some TASMA film pushed to 500 ISO, some old paper my father gave me:

(View from my darkroom AKA attic room. Yelabuga, 1973)
(View from my darkroom AKA attic room. Yelabuga, 1973)
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